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The release of “Gerald’s Game” revealed that Flanagan had long been carrying around the Stephen King book on which that film was based as it was his dream project. Were “Before I Wake” to be released when it should have been, it would have been easy to see even then that Flanagan was a fan of King’s style. This unfolds a lot like a King short story with its focus on grief and lessons about being careful what you wish for. Clearly inspired by the author, “Before I Wake” is evidence of a young horror voice working through ideas that one would have called promising three years ago—a promise Flanagan has already fulfilled for most. He’s a filmmaker interested in human emotions and reactions more than he is things that go bump in the night. Update pemain we9 2018%2f2019.
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“Before I Wake” opens with a scene reminiscent of the opening of Joachim Trier’s “Thelma.” A man (Dash Mihok) nervously watches a boy sleeping. The man pulls a gun on the child, clearly terrified. What would make a man almost kill a young boy? He can’t do it, and we cut to the boy being adopted by Mark and Jessie Hobson (Thomas Jane & Kate Bosworth), a couple who we learn has not long ago lost their own son in a tragic drowning. The boy is named Cody (Jacob Tremblay, who shot this before his breakthrough in “Room”), and he’s, well, special.
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After Cody has gone to sleep one night, Mark and Jessie see brightly colored butterflies around their living room. Mark goes to capture one, only to have it disappear as Cody wakes. Yes, Cody can manifest his dreams. Rather than turn this into a pure boogeyman tale, Flanagan channels the grief of parents who have lost a child through his concept when Cody “manifests” Mark and Jessie’s dead son. What if someone could give you one more chance to see, touch, and even hear someone you’ve lost? Of course, it comes with a hitch—kids have nightmares too, and Cody’s are of a monstrous creation he calls “The Canker Man.”